53 GBA, 2018
       
     
 The idea of this work comes from the key vision: ColorBar. From designing of this work we would like to discuss about the meaning of television once again.  The ColorBar which we would usually see on the television, is used for setting a television monitor or receiver to reproduce signal information correctly. Meanwhile, it explains even with the same contents of signal, the image shows on the screen differs from each other. Furthermore, ColorBar usually is the last image we can see before the broadcasting is over, it brings us unlimited imagination. The ColorBar is not only the common memory of everyone but also showing us imagination is the breakthrough of current frames, carrying the difference between you and me in the same way.
       
     
 About the shape design of this work, it looks like a complete key vision image but if seen by other angle, the structure of this sculpture looks like exploded view and release the picture from plane surface. When the installation stops, the acrylic structure and glossy material make it looks like a static translucent sculpture. Once the power is turned on, all of the mechanism start running, the color of fluorescence changes with physical method, dismantling the principle and the materials of television. With persistence of vision, rotation of polarizer, running of servomotor, UV print, noise made by physical change and break of data, present the unreal visual effect to audience. Just like the surprises that television brought audience by cathode ray tube, this work light up life with electric current, broaden everyone’s imagination.
       
     
金鐘53, 2018
       
     
 作品發想來自於主視覺ColorBar(註1)的設定,期望能透過裝置藝術的創作重新詮釋電視所代表的意義。 經常在電視上看到的ColorBar──原先是為了校正電視畫面品質而存在的一種檢驗圖,但也恰巧地說明了:即使是同樣的電視內容,每個人家裡看到的畫面也不盡相同。再加上ColorBar往往是一整日節目收播前的最後一個畫面,留給觀眾的是結束後的無限想像。這個電視中的檢驗圖不僅是每個人的共同記憶,留空般的畫面同時也提示著想像力是框架的破口,盛裝著你我相同中的不同。
       
     
 在裝置的造型設計上,正面看起來是一張完整的主視覺圖,但稍微轉個角度,裝置如同爆炸圖一般的分層構造,將影像隨即從平面解放出來。 當裝置靜止時,壓克力及鏡面材質的設計使它看起來像是一座靜態的半透明立體雕塑。一旦通電,所有的物件機構開始運作,螢光的色彩通過物理的變化,拆解電視機的原理及材料,例如視覺暫留、偏光片的旋轉、 伺服馬達翻動、UV印刷、物理造成的雜訊效果和資訊斷落,即時的將幻覺般的燈光特效呈現在觀眾眼前,如同過去電視透過顯像管帶給觀眾的各式驚喜,通過電流點燃生命、開啟想像。
       
     
 主辦單位:三立電視 金鐘獎形象與動畫總監:曲家瑞 視覺創意統籌, 專案統籌:趙安玲 主視覺設計:徐偉珍 動機械裝置:何理WHYIXD 音效配樂:曾文廷
       
     
 2D動畫:施昭羽, 陳柏豪, 邱昱綺, 陳絹宓, 賴祖寧, 葉馨文, 楊朝皓, Yashin Studio 插畫設計工作室, 曾湘玲, 洪嘉震, 林韋達, 陳維琳, 趙安玲, Darling Darling Art Studio, 陳昊宜, 林文佩, 謝宜家, 吳怡嫺, 吳昭晨, 林柔君, 魏閤廷, 簡士閎, 吳東霖, 鄧楷蓉, 黃鈺嵐, 蕭宜臻, 劉怡婷, 王芝婷
       
     
 3D動畫:侯怡佩, 成邦威, 沃野影像, 高依庭, 蘇暐絜, 賴姮鳴, 趙安玲, 林珈弘 手繪動畫:葉盈, 蔡茹茵, 陳欣妤
       
     
       
     
53 GBA, 2018
       
     
53 GBA, 2018

Location:53rd golden bell awards, Taipei, Taiwan
Size: 1.5 (m) x 1.2 (m) x 2.1 (m)

 The idea of this work comes from the key vision: ColorBar. From designing of this work we would like to discuss about the meaning of television once again.  The ColorBar which we would usually see on the television, is used for setting a television monitor or receiver to reproduce signal information correctly. Meanwhile, it explains even with the same contents of signal, the image shows on the screen differs from each other. Furthermore, ColorBar usually is the last image we can see before the broadcasting is over, it brings us unlimited imagination. The ColorBar is not only the common memory of everyone but also showing us imagination is the breakthrough of current frames, carrying the difference between you and me in the same way.
       
     

The idea of this work comes from the key vision: ColorBar. From designing of this work we would like to discuss about the meaning of television once again.
The ColorBar which we would usually see on the television, is used for setting a television monitor or receiver to reproduce signal information correctly. Meanwhile, it explains even with the same contents of signal, the image shows on the screen differs from each other. Furthermore, ColorBar usually is the last image we can see before the broadcasting is over, it brings us unlimited imagination. The ColorBar is not only the common memory of everyone but also showing us imagination is the breakthrough of current frames, carrying the difference between you and me in the same way.

 About the shape design of this work, it looks like a complete key vision image but if seen by other angle, the structure of this sculpture looks like exploded view and release the picture from plane surface. When the installation stops, the acrylic structure and glossy material make it looks like a static translucent sculpture. Once the power is turned on, all of the mechanism start running, the color of fluorescence changes with physical method, dismantling the principle and the materials of television. With persistence of vision, rotation of polarizer, running of servomotor, UV print, noise made by physical change and break of data, present the unreal visual effect to audience. Just like the surprises that television brought audience by cathode ray tube, this work light up life with electric current, broaden everyone’s imagination.
       
     

About the shape design of this work, it looks like a complete key vision image but if seen by other angle, the structure of this sculpture looks like exploded view and release the picture from plane surface.
When the installation stops, the acrylic structure and glossy material make it looks like a static translucent sculpture. Once the power is turned on, all of the mechanism start running, the color of fluorescence changes with physical method, dismantling the principle and the materials of television. With persistence of vision, rotation of polarizer, running of servomotor, UV print, noise made by physical change and break of data, present the unreal visual effect to audience. Just like the surprises that television brought audience by cathode ray tube, this work light up life with electric current, broaden everyone’s imagination.

金鐘53, 2018
       
     
金鐘53, 2018

地點:53屆金鐘獎, 臺北, 臺灣
尺寸: 1.5 (m) x 1.2 (m) x 2.1 (m)

 作品發想來自於主視覺ColorBar(註1)的設定,期望能透過裝置藝術的創作重新詮釋電視所代表的意義。 經常在電視上看到的ColorBar──原先是為了校正電視畫面品質而存在的一種檢驗圖,但也恰巧地說明了:即使是同樣的電視內容,每個人家裡看到的畫面也不盡相同。再加上ColorBar往往是一整日節目收播前的最後一個畫面,留給觀眾的是結束後的無限想像。這個電視中的檢驗圖不僅是每個人的共同記憶,留空般的畫面同時也提示著想像力是框架的破口,盛裝著你我相同中的不同。
       
     

作品發想來自於主視覺ColorBar(註1)的設定,期望能透過裝置藝術的創作重新詮釋電視所代表的意義。
經常在電視上看到的ColorBar──原先是為了校正電視畫面品質而存在的一種檢驗圖,但也恰巧地說明了:即使是同樣的電視內容,每個人家裡看到的畫面也不盡相同。再加上ColorBar往往是一整日節目收播前的最後一個畫面,留給觀眾的是結束後的無限想像。這個電視中的檢驗圖不僅是每個人的共同記憶,留空般的畫面同時也提示著想像力是框架的破口,盛裝著你我相同中的不同。

 在裝置的造型設計上,正面看起來是一張完整的主視覺圖,但稍微轉個角度,裝置如同爆炸圖一般的分層構造,將影像隨即從平面解放出來。 當裝置靜止時,壓克力及鏡面材質的設計使它看起來像是一座靜態的半透明立體雕塑。一旦通電,所有的物件機構開始運作,螢光的色彩通過物理的變化,拆解電視機的原理及材料,例如視覺暫留、偏光片的旋轉、 伺服馬達翻動、UV印刷、物理造成的雜訊效果和資訊斷落,即時的將幻覺般的燈光特效呈現在觀眾眼前,如同過去電視透過顯像管帶給觀眾的各式驚喜,通過電流點燃生命、開啟想像。
       
     

在裝置的造型設計上,正面看起來是一張完整的主視覺圖,但稍微轉個角度,裝置如同爆炸圖一般的分層構造,將影像隨即從平面解放出來。
當裝置靜止時,壓克力及鏡面材質的設計使它看起來像是一座靜態的半透明立體雕塑。一旦通電,所有的物件機構開始運作,螢光的色彩通過物理的變化,拆解電視機的原理及材料,例如視覺暫留、偏光片的旋轉、 伺服馬達翻動、UV印刷、物理造成的雜訊效果和資訊斷落,即時的將幻覺般的燈光特效呈現在觀眾眼前,如同過去電視透過顯像管帶給觀眾的各式驚喜,通過電流點燃生命、開啟想像。

 主辦單位:三立電視 金鐘獎形象與動畫總監:曲家瑞 視覺創意統籌, 專案統籌:趙安玲 主視覺設計:徐偉珍 動機械裝置:何理WHYIXD 音效配樂:曾文廷
       
     

主辦單位:三立電視
金鐘獎形象與動畫總監:曲家瑞
視覺創意統籌, 專案統籌:趙安玲
主視覺設計:徐偉珍
動機械裝置:何理WHYIXD
音效配樂:曾文廷

 2D動畫:施昭羽, 陳柏豪, 邱昱綺, 陳絹宓, 賴祖寧, 葉馨文, 楊朝皓, Yashin Studio 插畫設計工作室, 曾湘玲, 洪嘉震, 林韋達, 陳維琳, 趙安玲, Darling Darling Art Studio, 陳昊宜, 林文佩, 謝宜家, 吳怡嫺, 吳昭晨, 林柔君, 魏閤廷, 簡士閎, 吳東霖, 鄧楷蓉, 黃鈺嵐, 蕭宜臻, 劉怡婷, 王芝婷
       
     

2D動畫:施昭羽, 陳柏豪, 邱昱綺, 陳絹宓, 賴祖寧, 葉馨文, 楊朝皓, Yashin Studio 插畫設計工作室, 曾湘玲, 洪嘉震, 林韋達, 陳維琳, 趙安玲, Darling Darling Art Studio, 陳昊宜, 林文佩, 謝宜家, 吳怡嫺, 吳昭晨, 林柔君, 魏閤廷, 簡士閎, 吳東霖, 鄧楷蓉, 黃鈺嵐, 蕭宜臻, 劉怡婷, 王芝婷

 3D動畫:侯怡佩, 成邦威, 沃野影像, 高依庭, 蘇暐絜, 賴姮鳴, 趙安玲, 林珈弘 手繪動畫:葉盈, 蔡茹茵, 陳欣妤
       
     

3D動畫:侯怡佩, 成邦威, 沃野影像, 高依庭, 蘇暐絜, 賴姮鳴, 趙安玲, 林珈弘
手繪動畫:葉盈, 蔡茹茵, 陳欣妤

       
     
53金鐘獎藝術裝置影片